Okay So I really like tools. I buy way too many. I have to try out the latest and greatest. This obsession sometimes gets in the way of my bizarre cheapness. Despite the fight between these natural traits of mine, I still have managed to amass massive amounts of tools. I think this harks back to my days as a studio goldsmith. All of the tools were specialized and expensive... but oh sooooo cool!
Anyway....where was I... Oh yeah... scissor review. As we all know having a nice sharp pair of scissors is very important. Most people think that any old pair will do. Oooooh no.... I regularly use 5 different pair. And yes I get VERY annoyed when I see people using my scissors to cut things that they were not intended.
Tuesday, September 28, 2010
Book Review: Paper Transformed
Julia Andrus's book Paper Transformed is one of my favorite technique based books. There are hundreds of swatches of useful techniques for altering paper. Her instructions are clear and to the point. Probably the bast part is that she doesn't use a lot of expensive equipment or supplies. Most items can be found at your local craft/art store.
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Wednesday, September 15, 2010
Tuesday, September 14, 2010
A bit of a warning
New Glue Review
Okay so it's not really a New Glue Review per say... That would indicate that there is an Old Glue Review. I just liked how the title sounded so I went with it.
As with many things I have a bit of a fetish for glue and adhesives. I am always willing to try something new. As with friends/lovers (just kidding P!), no adhesive can fulfill every need. There are a few however that I favor.
YES Stikflat glue is evidently a rice flour based glue. This makes it mostly archival. I use Yes glue far more than any other. I has a wonderful tackiness, it's repositionable, and best of all water soluble. Okay so most adhesives are water soluble... Yes is different. Every one of us has had our sloppy day. No matter what you do you seem to get glue on everything. Well with YES, you really don't have to worry. It will wash out of a dry glue brush, wipe off your cutting mat, and scrape off your brayer. I am super anal about ANY glue showing on my work. If you get a bit of yes on your expensive (or cheap) paper it just takes a bit of spit on your thumb and you can do the old Mom thing and wipe the Yes away. It will not mark or stain your paper. Yes glue can do no wrong in my book.
My second favorite is Spray Adhesive. I recommend re-positionable Elmer's Craft Bond. Spray adhesive is basically two glues in one. If you spray the glue on both surfaces, let it dry and then stick together. You will NEVER be able to pull the two surfaces apart. Think rubber cement or construction adhesive. Once stuck, it's there forever. If you lightly spray just one side and let it dry you can reposition. Thing a stickier post-it note. In my former life I was a merchandiser. This job required that I was never without my spray mount. I needed a holster. Two warnings...1) Spray adhesive is pretty smelly so unless you like working whilst being stoned. Spray is an area that is well ventilated. 2) Spray adhesive is is not very archival.
My third favorite is Glossy Accents. This is not technically a glue. It was designed as a clear epoxy like coat for paper and various objects. It functions very well for it's intended purpose, but it is an amazing epoxy like glue also. Regular epoxy is a pain in the ass. Glossy accent will hold small parts together very well. It will not fill gaps or hold large embellishments but small things like eyelets or rivets... it is awesome.
There are a whole bunch of other types of adhesives that I use but these three are the one's I reach for the most. Some day I will bore you with my review the others.
Thanks for reading!
~ER!C
Thursday, September 2, 2010
Metallic Waxed Linen Thread
Okay So I have a bit of a bookbinding thread fetish. I have tried many different brands and colors. I do believe it was Patsy Stone who said "You can never have too many Gloves, Hats, & Shoes". Well in my world one can never have too enough Paper, tools, & thread!
Most of the time I use18/3 un-waxed Irish Linen thread and custom dye it to match my project. Up until now metallic thread has only been a dream. I have found a rather brilliant product called Gilder's Paste. This lovely stuff is like waxy metallic shoe polish. It is amazing for "gilding" waxed thread. Just pull the thread through the paste and wham bam Metallic thread! You do have to let it dry for 60 or so minutes, unless you want everything you own metallic. I haven't tried it yet, but the Gilders paste would probably work well to gild text blocks. Currently I am working on a book with Cordovan Leather and a red/gold metallic thread. I will post some pics when it's done.
~ Eric
Wednesday, September 1, 2010
Secret no more - The Secret Belgian Binding
So I have seen many examples of the Secret Belgian binding online. After much searching I found some very readable instructions here. Thank you to whomever did this tutorial...good job!
From what little info I could find, the Secret Belgian binding was re-discovered in 1986. It is composed of 2 covers and a spine that are woven together. The signatures are sewing to the inner weave.
Here is an example of what is "should" look like.. Boy do I LOVE Dennis Yuen's work
| Book Artist: Cailun/ Dennis Yuen |
1) Do not use tape to hold your covers together while stitching... Tape and paper are never friends. I tried to use painters tape (which I do use a lot of in my studio). Even after sticking it to my shirt a few times to take down the adhesive a bit, it still pulled up and tore my paper.... FAIL....
2) The instructions to not call for an odd number of sewing stations... keep your number odd. Believe me you will be happier
3) Unlike some bindings, tension is key. Your signatures and cover need to be tight!
I took some pics of my process. Please be kind, it was my first time.
| First 3 stations sewn. Please forgive the horrible photograph (Warning: they don't get any better) |
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